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KLIKTRAK : TECH ARCHIVE : 1996 - 1999
KLIKTRAK
- TECH is a page designed to provide information regarding the specific
electronic equipment and instrumentation, that KLIKTRAK uses, as well as how the
instrumentation is implemented and structured, both in KLIKTRAK`s home STUDIO
and LIVE performances.
This page however, is not supposed to be a definitive guide about the particular
instruments, or to be a pretentious analysis of electronic musicianship. But it
is merely here as an information resource, based on the knowledge and experience
KLIKTRAK has gained from working in the medium of electronic music.
The primary aim is to provide a resource for local South African electronic
musicians, who may not have ready access to adequate information regarding
electronic instrumentation, and its implementation into a structured setup - in
order to help the development and evolution, of local South African electronic
music (as a recognisable genre -locally and internationally) and electronic
musicianship in general.
Hopefully international visitors to this site will find it informative, and
interesting, and will also excuse any inaccuracies, please remember my opinion
and interpretations are based on my experiences in this unique social
environment of South Africa.
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KLIKTRAK : STUDIO TECH
The following is a brief
outline, and explanation of the structure of the electronic instrumentation as
implemented in the studio setup of KLIKTRAK. The most critical aspect of the
studio and LIVE setup of electronic instrumentation as utilised by KLIKTRAK, is
outlined in the diagram : MIDI / DIN-SYNC CONFIGURATION below. The MIDI /
DIN-SYNC configuration is so important, because it is the vital link in
synchronising all of the instrumentation together.
In this way the instrumentation in KLIKTRAK`s studio and LIVE setup, are
synchronised together to allow for a full utilisation of available
instrumentation resources. This also allows for KLIKTRAK to implement the
preferred method of recording of his trax - fully LIVE recording, without
multitracking.
KLIKTRAK : LIVE TECH
The setup used by
KLIKTRAK in LIVE performance, is in essence the same as in the studio setup,
with the core feature being the MIDI / DIN-SYNC configuration (diagram below).
It is this feature of being able to synchronise MIDI and DIN-SYNC, digital and
analogue instrumentation that allows for KLIKTRAK to perform his own innovative
style of electronic music totally LIVE - the definitve characteristic of which
is that the musical output and arrangment of each track in a set, occurs in
real-time, with only the sequencers holding pre-programmed musical information.
KLIKTRAK does not mime, or playback from pre-recorded sources such as DAT or CD,
or use fully sequenced tracks (composed and arranged), when performing LIVE. The
sequencers (internal and MIDI) are only programmed with musical “elements”
or parts, that are then looped and are brought into the mix to form a track
(arrangement), by using the MUTE/PLAY function of the sequencer, and the
controls of the mixer. In essence it is this real-time arranging of the music,
that constitutes KLIKTRAK`s LIVE performances.
Apart from the real-time arranging of tracks, the other major element of a LIVE
performance by KLIKTRAK, is the totally “hands on” approach employed. With
the real-time arranging of tracks, it follows that real-time LIVE control of the
effects processing, EQ and other production values via the mixing desk, is
necessary. So that when KLIKTRAK is performing his music LIVE, a totally
focused, concentrated working of all control and production elements is
involved, in order to produce a quality output of original electronic music.
This all allows for a unique response to the audience and ambience of any
specific event, which all enhance the dedicated professional and innovative LIVE
performance of electronic music by KLIKTRAK.
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KLIKTRAK : MIDI/DIN-SYNC
CONFIGURATION TUTORIAL
The two formats of
MIDI and DIN-SYNC, are not compatible and therefore require either a source for
generating both formats, or a conversion from one format to the other (ie. to
split the synchronisation signal ). In the case of the KLIKTRAK setup, the
former scenario of having one source generating both the MIDI and DIN-SYNC
formats is utilised. [CURRENTLY KLIKTRAK USES A KORG KMS-30 MIDI/DIN-SYNC
CONVERTER UNIT]
The ROLAND TR-707, and TR-727 drum machines have
input-output din plug connectors which allow for both the MIDI and DIN-SYNC
formats. The TR-727 is used in the setup as a master tempo controller, which
sends a MIDI tempo control signal to the sequencer, and a DIN-SYNC control
signal to a DIN-SYNC signal splitter, which in turn controls all of the DIN-SYNC
format instrumentation.
The DIN-SYNC format is a control signal format which was used by ROLAND (KORG
also had its own DIN-SYNC format) in the early 1980`s, to allow for various
instrumentation to be synchronised together into a unified setup - a precursor
to the now standard MIDI format. As opposed to sending complete and complex
musical data (as with MIDI), the DIN-SYNC control signal consisted of voltage
pulses being sent via a din cable, from master to slave unit. The voltage pulses
were sent at a rate of 24 per quarter note, which allowed for the
synchronisation of the tempo.
This means that the instrumentation using the DIN-SYNC format, have to be
programmed internally, using the built-in interfaces and sequencers of each
instrumentation unit. These programmed sequences of music are then “played
back” independently (by each internal sequencer) and synchronised in tempo
with the master unit sending the DIN-SYNC control signal. The master unit
sending the DIN-SYNC control signal, is used to start and stop the
“playback” from each unit being synchronised, via the DIN-SYNC signal.
The ROLAND TR-727 drum machine in this instance fullfills the function of being
the master DIN-SYNC control unit. Because there is no DIN-SYNC thru (as is the
case with MIDI), a DIN-SYNC signal splitter is used to create enough signal
sources to control all the instrumentation being “slaved” or controlled with
the DIN-SYNC format.
The TR-727 also sends via its MIDI out din connector, a MIDI tempo control
signal, which only sends tempo (bpm) data to the MIDI sequencer. The MIDI
sequencer in turn sends full MIDI data to each of the MIDI instruments, which
controls all aspects of each MIDI instruments “playback”, and musical
output.
In this way the instrumentation in KLIKTRAK`s studio and LIVE setup, are
synchronised together to allow for a full utilisation of available
instrumentation resources.
MIDI/DINSYNC CONFIGURATION DIAGRAM : CLICK TO ENLARGE :
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